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            <title><![CDATA[Sarah Rothberg, "BEING IN REAL-TIME (or: SEEING LIKE A MACHINE / A MACHINE SEEING LIKE ME)" (Work-in-progress, 2021)]]></title>
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            <pubDate>Fri, 24 Feb 2023 07:57:15 GMT</pubDate>
            <description><![CDATA[BEING IN REAL-TIME (or: SEEING LIKE A MACHINE / A MACHINE SEEING LIKE ME) is a work-in-progress by artist Sarah Rothberg and Bell Labs creative technologists Ethan Edwards and Danielle Mcphatter. They are using a prototype device called an eyebud ...]]></description>
            <content:encoded><![CDATA[<p>BEING IN REAL-TIME (or: SEEING LIKE A MACHINE / A MACHINE SEEING LIKE ME) is a work-in-progress by artist Sarah Rothberg and Bell Labs creative technologists Ethan Edwards and Danielle Mcphatter. They are using a prototype device called an eyebud (a wifi-connected wearable camera/headphone/speaker) to act as a prosthetic memory: anchoring data (speech-to-text) to objects that are able to be 'recognized' by the eyebud via a machine learning model modified with a small set of data. Both the training data and speech-to-text are generated spontaneously in real-time.</p>
<p>The first planned use of this pipeline is a durational performance and resulting interactive experience: Rothberg wears the eyebud first to train the model to 'see.' After the model has been trained, when the eyebud recognizes a significant object, Rothberg is prompted to speak. The next time Rothberg wears the eyebud, when that object is recognized, the last text is read out, and Rothberg adds to it. At the end of the performance, anyone can wear the eyebud and hear the text played back when the eyebud 'sees' the objects.</p>
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            <title><![CDATA[From yu to me]]></title>
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            <description><![CDATA[Through a wide range of archival materials and in-depth interviews, From yu to me narrates a history of the former Yugloslavia's .yu domain, the women computer scientists who administered it, and its relationship with the surrounding political uph...]]></description>
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            <title><![CDATA[Zach Blas: Contra-Internet Inversion Practice #1: Constituting an Outside (Utopian Plagiarism)]]></title>
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            <description><![CDATA[A short, performative desktop lecture in which texts that originally opposed economic and sexual hegemony are repurposed for a manifesto against the internet itself, critiquing its logic and suggesting possible alternatives. Part of the exhibitio...]]></description>
            <content:encoded><![CDATA[<p>A short, performative desktop lecture in which texts that originally opposed economic and sexual hegemony are repurposed for a manifesto against the internet itself, critiquing its logic and suggesting possible alternatives.<br />
Part of the exhibition "Real Live Online" curated by Devin Kenny and Lucas G. Pinheiro.</p>
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            <title><![CDATA[Was Being Moved?]]></title>
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            <pubDate>Fri, 02 Dec 2022 01:31:36 GMT</pubDate>
            <description><![CDATA[The poetry film Was Being Moved? (2011) takes the form of a series of postcards to a “Mr. Parade,” interspersed with vignettes of public rituals and street life in Chicago, New York City, and Taiwan. It features music composed and played by Taiwan...]]></description>
            <content:encoded><![CDATA[<p>The poetry film Was Being Moved? (2011) takes the form of a series of postcards to a “Mr. Parade,” interspersed with vignettes of public rituals and street life in Chicago, New York City, and Taiwan. It features music composed and played by Taiwanese musician Yujun Wang.<br />
Ye Mimi is a Taiwanese poet and filmmaker. Having earned an MFA in creative writing at Dong Hwa University and an MFA in film at the School of the Art Institute of Chicago, she is the author of two volumes of poetry and has exhibited several of her poetry films internationally. Through collaging her words and images, she improvises a new landscape, trying to erase the border between poetry and image making. A bilingual chapbook of her poems was recently published by Anomalous Press under the title His Days Go by the Way Her Years (2013</p>
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            <title><![CDATA[The Making of Natural Language: An Evening with the Enron Email Archive]]></title>
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            <pubDate>Thu, 01 Dec 2022 21:26:06 GMT</pubDate>
            <description><![CDATA[In this panel discussion, Tega Brain, Sam Lavigne, Kate Crawford, Devin Kenny, Constant Dullaart, Mimi Onuoha, and Finn Brunton explore the historical and human contexts of an influential dataset. Building on recent New Museum events that delved ...]]></description>
            <content:encoded><![CDATA[<p>In this panel discussion, Tega Brain, Sam Lavigne, Kate Crawford, Devin Kenny, Constant Dullaart, Mimi Onuoha, and Finn Brunton explore the historical and human contexts of an influential dataset.<br />
Building on recent New Museum events that delved into the implications of machine learning for issues of subjectivity and bias, this panel discussion convenes artists and researchers who consider the historical and human context of the Enron email archive and its ongoing use in machine learning. This event is organized by New Museum affiliate Rhizome with Sam Lavigne and Tega Brain, in conjunction with their online exhibition “First Look: The Good Life,” which invites users to subscribe to receive hundreds of thousands of emails from the Enron archive over the course of seven years.<br />
Recorded October 6, 2017 at the New Museum.</p>
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            <title><![CDATA[First Look: Jordan Wolfson]]></title>
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            <pubDate>Fri, 18 Nov 2022 18:28:44 GMT</pubDate>
            <description><![CDATA[Conversation between artist Jordan Wolfson and Rhizome assistant curator Aria Dean at First Look: Jordan Wolfson at The New Museum on June 15, 2017]]></description>
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            <title><![CDATA[BLACK ON WHITE, GRAY ASCENDING by YOUNG-HAE CHANG HEAVY INDUSTRIES]]></title>
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Co-organized by Laura Hoptman, Senior Curator, the New Museum, and Lauren Cornell, Executive Director, Rhizome and Adjunct Curator, New Museum.</p>
<p>Video by Dennis Knopf</p>
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            <description><![CDATA[On the occasion of New Museum’s “Screen Series Online: Kate Cooper,” Rhizome has invited the artist and presentation curator, Jeanette Bisschops, New Museum Curatorial Fellow, to discuss Cooper’s vivid and provocative CGI videos on view as part of...]]></description>
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            <description><![CDATA[Cynthia and Celinde are conjoined twins who live in the mind of their autistic host. You will be joining them today in their myriad adventures. You may have already gotten to know them a bit in the computational network community they usually hang...]]></description>
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<p>Andrea Crespo: A day in the lives of” is commissioned by Rhizome and copresented with the New Museum as part of First Look: New Art Online.</p>
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