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            <description><![CDATA[This is the ENDD: The E-Cigarette in Context Saturday, February 22nd, 2014 3 p.m. Tracy Jeanne Rosenthal's new performance on psychological drives after the cigarette. Second panel discussion. NJOYs. Blus. Smokefrees. V2s. All manner of custom...]]></description>
            <content:encoded><![CDATA[<p>This is the ENDD: The E-Cigarette in Context<br />
Saturday, February 22nd, 2014 3 p.m.<br />
Tracy Jeanne Rosenthal's new performance on psychological drives after the cigarette.<br />
Second panel discussion.<br />
NJOYs. Blus. Smokefrees. V2s. All manner of customized vaporizers. This is the moment of the e-cigarette, or more precisely, the Electronic Nicotine Delivery Device (ENDD). Day by day, the broader public is learning (and contesting) what it means to "vape": how one does it, where one can do it, and what it means to do so. As individuals, industries, and governments stumble towards definitions, Rhizome has commissioned a group of artists and critics to present analyses—historical, political, social, anticipatory—of this technology and the discursive field that is emerging around it.<br />
Rhizome is dedicated to art and ideas that create richer and more critical technology cultures. With this program, we continue our examination of influential, technological objects from interdisciplinary points of view, in the context of artistic research practice.</p>
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Saturday, February 22nd, 2014 3 p.m.<br />
at the New Museum<br />
Art critic Orit Gat on the vape shop experience, by way of the French e-clopinette.<br />
A video intervention initiated by Pirate utopia on the ecig’s sculptural properties.<br />
NJOYs. Blus. Smokefrees. V2s. All manner of customized vaporizers. This is the moment of the e-cigarette, or more precisely, the Electronic Nicotine Delivery Device (ENDD). Day by day, the broader public is learning (and contesting) what it means to "vape": how one does it, where one can do it, and what it means to do so. As individuals, industries, and governments stumble towards definitions, Rhizome has commissioned a group of artists and critics to present analyses—historical, political, social, anticipatory—of this technology and the discursive field that is emerging around it.<br />
Rhizome is dedicated to art and ideas that create richer and more critical technology cultures. With this program, we continue our examination of influential, technological objects from interdisciplinary points of view, in the context of artistic research practice.</p>
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Saturday, February 22nd, 2014 3 p.m.<br />
at the New Museum<br />
Artists Mathew Dryhurst &amp; Brian Rogers, health education professional C.A.B. Fredericks, artists Pinar &amp; Viola.<br />
NJOYs. Blus. Smokefrees. V2s. All manner of customized vaporizers. This is the moment of the e-cigarette, or more precisely, the Electronic Nicotine Delivery Device (ENDD). Day by day, the broader public is learning (and contesting) what it means to "vape": how one does it, where one can do it, and what it means to do so. As individuals, industries, and governments stumble towards definitions, Rhizome has commissioned a group of artists and critics to present analyses—historical, political, social, anticipatory—of this technology and the discursive field that is emerging around it.<br />
Rhizome is dedicated to art and ideas that create richer and more critical technology cultures. With this program, we continue our examination of influential, technological objects from interdisciplinary points of view, in the context of artistic research practice.</p>
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Saturday, February 22nd, 2014 3 p.m.<br />
at the New Museum<br />
Dutch artists Pinar &amp; Viola<br />
Health education professional C.A.B. Fredericks on the technology’s fractious reception in his field.</p>
<p>NJOYs. Blus. Smokefrees. V2s. All manner of customized vaporizers. This is the moment of the e-cigarette, or more precisely, the Electronic Nicotine Delivery Device (ENDD). Day by day, the broader public is learning (and contesting) what it means to "vape": how one does it, where one can do it, and what it means to do so. As individuals, industries, and governments stumble towards definitions, Rhizome has commissioned a group of artists and critics to present analyses—historical, political, social, anticipatory—of this technology and the discursive field that is emerging around it.<br />
Rhizome is dedicated to art and ideas that create richer and more critical technology cultures. With this program, we continue our examination of influential, technological objects from interdisciplinary points of view, in the context of artistic research practice.</p>
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Saturday, February 22nd, 2014 3 p.m.<br />
at the New Museum<br />
Matthew Dryhurst &amp; Brian Rogers on the history of the electronic cigarette.<br />
NJOYs. Blus. Smokefrees. V2s. All manner of customized vaporizers. This is the moment of the e-cigarette, or more precisely, the Electronic Nicotine Delivery Device (ENDD). Day by day, the broader public is learning (and contesting) what it means to "vape": how one does it, where one can do it, and what it means to do so. As individuals, industries, and governments stumble towards definitions, Rhizome has commissioned a group of artists and critics to present analyses—historical, political, social, anticipatory—of this technology and the discursive field that is emerging around it.<br />
Rhizome is dedicated to art and ideas that create richer and more critical technology cultures. With this program, we continue our examination of influential, technological objects from interdisciplinary points of view, in the context of artistic research practice.</p>
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